Be Inspired to Inspire
In a simple scene like this, its easy for me to be easily swayed away from crossing the street in order to chase these shadows and catch a piece of my past. A scene that we see and forget all in the same moment, but somehow they challenge me catch it, capture it and add it to my ever developing cinema.
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In my hunting of “moments” this street in Poznan offered me more than my fair share and remained an inspiration for much of my time in the city. At one time, long before I ever set foot onto the pavement of Święty Marcin, this street was the heart of the city. But, for me, it was the heart of my journey.
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Even though the streets never change, the element that makes them bristle with life does.
This is what keeps me coming back to this never-ending cinema; what keeps me looking for new scenes to unfold on the stage.
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I will freely admit that I am deeply inspired of a deep love for Horror, Thriller, Mystery and the Fantastique both in fiction literature and in cinema. From my earliest years I was infatuated with monsters and creatures of the imagination. I would sneak out any chance I could get to catch the Late Night Movie or watch my favorite reporter Karl Kolchak unravel the latest monster mystery that would charge my imagination. I fell in love with writings of Lovecraft , Poe, Matheson, Bradbury, Stoker and from there finding a love for the writing of Stephen King, reading everything that I could get my hands on late into the night with rapt attention to every detail.
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My first winter in Poznan was a lesson in perseverance and dedication for me and my daily adventures of running a coffee shop in extreme cold and using my camera in ways that it would survive often keeping it inside my jacket and bringing it out for a quick snap.
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It was early afternoon and the streets of Jezyce were very busy with cars, people, peddlers and in this area around the market, especially crazy and vibrant with activity. Luckily the traffic then on Dąbrowskiego was packed and backed up a bit from the ongoing construction to the street, so I could see that the tram was already on its way. I needed to move fast and began picking up the pace and navigating the sidewalk.
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This one titled “Intersections” is not necessarily the most popular, but it is one that really shifted my senses about how and when to shoot my subjects, carefully selectng the way they entered the frame and became my story.
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This was not ever going to see the light of day. When I looked back at this one after shooting one morning heading into work, I just didnt like it. The young man was in an odd spot and it didn’t move me so much, seeming so ordinary, plus I again hated the graffiti in the window and was not wanting to call attention to it.
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Erik Witsoe 